50年代-60年代初波兰电影学院派的经典作品之一,可谓与同期间意大年夜利导演安东尼奥尼的《奇遇》比拟,改编自JózefHen在社会主义波兰期间被禁的小说。
In1960hissecondfilmNIKTNIEWOLA/NOBODY'SCALLING,basedonaJozefHennovelthatwasneverpublishedinPoland,describedthefateofPolesontheEasternFront.Kutzusedthefilmtoexplorenewformalsolutions,collaboratingcloselywithcinematographerJerzyWojciktorevealthepsychologicallandscapeofapairofloverswhoarestronglyaffectedbywartimeevents.Thecamerarecordedthecouple'sinnerexperiences,contrastingtheirmutedintimacyagainstthesurroundingsceneryofaruinedtown.Thefilmdidnotwinovercriticsatthetimeofitsrelease.ItwasnotuntillaterthatcriticsrecognizedKutz'sefforttoexperimentwithaestheticsinamannerakintothatpursuedbyfilmmakersofthenewwave.NOBODY'SCALLINGcametobecomparedwithMichelangeloAntonioni'sTHEADVENTURE,whichwasproducedaroundthesametime.
50年代-60年代初波兰电影学院派的经典作品之一,可谓与同期间意大年夜利导演安东尼奥尼的《奇遇》比拟,改编自JózefHen在社会主义波兰期间被禁的小说。
In1960hissecondfilmNIKTNIEWOLA/NOBODY'SCALLING,basedonaJozefHennovelthatwasneverpublishedinPoland,describedthefateofPolesontheEasternFront.Kutzusedthefilmtoexplorenewformalsolutions,collaboratingcloselywithcinematographerJerzyWojciktorevealthepsychologicallandscapeofapairofloverswhoarestronglyaffectedbywartimeevents.Thecamerarecordedthecouple'sinnerexperiences,contrastingtheirmutedintimacyagainstthesurroundingsceneryofaruinedtown.Thefilmdidnotwinovercriticsatthetimeofitsrelease.ItwasnotuntillaterthatcriticsrecognizedKutz'sefforttoexperimentwithaestheticsinamannerakintothatpursuedbyfilmmakersofthenewwave.NOBODY'SCALLINGcametobecomparedwithMichelangeloAntonioni'sTHEADVENTURE,whichwasproducedaroundthesametime.